😱 THE HORROR MOVIE VIEWERS SAY “SHOULD NEVER HAVE BEEN MADE” HAS TAKEN OVER NETFLIX’S TOP 10 A terrifying film that left audiences disturbed, divided, and questioning how it ever made it to screens has suddenly found a new wave of popularity on Netflix. Despite being branded by some viewers as a movie that went too far, the controversial horror title is now attracting thousands of curious viewers eager to see what all the outrage is about. The shocking scenes, unsettling atmosphere, and disturbing storyline have turned it into one of the platform’s most talked-about titles, with fans debating whether it is a misunderstood masterpiece or simply too extreme for audiences. As it climbs the Netflix charts, one question is dominating conversations: what made this horror film so unforgettable that people can’t stop talking about it?

Maybe their sofa was wrapped in plastic, maybe they’d built an idol to Taylor Swift in the boiler cupboard, perhaps it just smelled weird?

Whatever the reason, you knew you wanted to skedaddle as soon as you went through the front door.

If you answered yes, then boy oh boy does Netflix have the perfect film for you.

It’s called Speak No Evil, and it’s an English-language remake of a Danish-Dutch film of the same name.

The premise is simple. While on holiday in Italy,Ben and Louise, along with their daughter Agnes, befriend a couple called Paddy and Ciara and their son Ant.

This image released by Universal Pictures shows James McEvoy in a scene from "Speak No Evil." (Universal Pictures via AP)
James McCavoy pays the host from hell (Picture: AP)

In fact, the sextet have such a wonderful time on their hollibobs that when Paddy and Ciara invite Ben and Louise to their family home, they jump at the chance.

Now we don’t want to spoil anything for you, but let’s just say that agreeing to the visit was a big mistake.

Anyway, Speak No Evil has an impressive 83% on Rotten Tomatoes and is currently third on the Netflix film top ten.

All very laudable achievements; however, some believe that Speak No Evil should never have been made.

Undated film still handout from Speak No Evil. Pictured: L to R: Ant (Dan Hough), Ciara (Aisling Franciosi), and Paddy (James McAvoy). See PA Feature SHOWBIZ Film Speak No Evil. WARNING: This picture must only be used to accompany PA Feature SHOWBIZ Film Speak No Evil. PA Photo. Picture credit should read: Susie Allnutt/Universal Pictures and Blumhouse/? Universal Studios. All Rights Reserved. NOTE TO EDITORS: This picture must only be used to accompany PA Feature SHOWBIZ Film Speak No Evil.
This is one family to avoid (Picture: Susie Allnutt/Universal Pictures and Blumhouse/© Universal Studios. All Rights Reserved)

No, these aren’t puritanical scaredy-cats terrified of anything that goes bump in the night; they’re cinephiles.

Yes, there’s a contingent of people online who believe that the film is too similar to the Danish-Dutch original and that remaking it was essentially pointless.

‘Speak No Evil is a remake of a film made just two years ago, and threatens to overshadow a genuinely compelling work,’ wrote David Renshaw for Fader.

Undated film still handout from Speak No Evil. Pictured: Agnes Dalton (Alix West Lefler), Louise Dalton (Mackenzie Davis) and Ben Dalton (Scoot McNairy). See PA Feature SHOWBIZ Film Speak No Evil. WARNING: This picture must only be used to accompany PA Feature SHOWBIZ Film Speak No Evil. PA Photo. Picture credit should read: Universal Pictures and Blumhouse/? Universal Studios. All Rights Reserved. NOTE TO EDITORS: This picture must only be used to accompany PA Feature SHOWBIZ Film Speak No Evil.
Get out now! (Picture: Universal Pictures and Blumhouse/© Universal Studios. All Rights Reserved)
This image released by Universal Pictures shows Aisling Franciosi in a scene from "Speak No Evil." (Universal Pictures via AP)
Oh good, she’s got a boom stick! (Credits: AP)

Bleeding Cool were similarly unhappy with the remake, calling it a ‘toothless’ retread that didn’t understand what made the first so scary.

Even Metro’s own fearless entertainment editor, Alicia Adejobi, was annoyed at the decision to remake the film.

‘It’s disappointing that Hollywood can’t allow this relatively unsung Danish gem to have the space to shine and earn props for its script writing, cinematography and acting,’ she wrote.

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